The Fishing Way

Twice-weekly Hemingway-style fishing stories.

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Across Savannah's Bend: Bass and Cat along the Georgia Tide — vintage illustration inspired by Savannah River in Georgia fishing for largemouth bass, catfish

Across Savannah's Bend: Bass and Cat along the Georgia Tide

The road stretched from Everglades City, eight hours of tar and salt air, to a river that wears its history in every bend. The Savannah River in Georgia is a freshwater line drawn between the sea and the land. It carries the push and pull of tides even where the water runs green and quiet. I drove with the windows down, the engine steady, watching the land roll past like a slow film. The day was warm, the kind that makes the air feel heavier. The river looked softer than it is, like a blade sheathing from the sun.

In the tidal bends of the river, the bass rise to meet currents and cover. Largemouth search for cover and the lingering scent of fresh bait. They hug the submerged structure: fallen timber, weed beds, the dark seam along a mossy bank. I started with a simple cast, a tug on the line, a moment of patience. The water was clear enough to see the bottom in short stabs, the sun slicing through in gold. The first hit came from a place I didn’t expect—the corner of a bend where the current pooled, where the water slowed and the fish could watch the world go by. A bass leapt at the lure with a flat, practiced swipe. The fight was clean, not loud, and when the fish came to the net, I felt the river breathe easy around me.

Catfish run close to the river’s throat on days like this. They lurk near a channel mark, where the current prints lines on the surface and then folds away. A catfish is a different kind of patient. It doesn’t rush the moment; it waits, then acts. In the late morning, I eased a stinkbait along a log, the water tasting of mud and leaf litter. A heavy tug followed and the line peeled away on a steady, stubborn pull. The fish held, and I cranked slow, listening to the drag sigh. The bend of the river gave the struggle a rhythm—a simple, stubborn cadence that feels honest. The catfish came up, broad and dark, the river’s weight in its tail. It wasn’t a fish to brag about, but it reminded me that a river remembers your step and lets you walk with it for a while.

This stretch is a traveler’s map. The river runs in quiet loops, crossing state lines with a patient nod. The days behind me were long, the miles measured in hours rather than breaths. The water was freshwater, encountering tides in these bends, singing of brackish mornings and river shadows. My gear checked out. The rods stood at the ready, the reels with a smooth spin, and my line found the tips of confidence with every cast. The Savannah did not roar. It whispered, and I listened. Each catch told a small story of patience, of the river letting a man borrow a moment to remember why he drove this road in the first place.

As the afternoon wore on, the shore offered shade in patches. I moved with the water, stepping around old stumps and into cooler pockets where bass and catfish liked to linger. The river gave up a quiet number of fish and a few more questions about technique and timing. The salt air did not sting today, but the memory of it hung in the hair and in the knot of a loose shirt. The drive toward St. Simons Island Marshes at the day’s end felt like a turning of pages—another place, another long walk to the water’s edge, another bend in the tide.

Gear Used

The river teaches without shouting. It asks for silence, for a steady hand, for a moment between the strike and the victory. The bass and catfish remind a traveler that every bend is a new page.

A brief reflection finds a simple, honest line: what works here is listening to the water and picking a path that doesn’t rush the moment. What failed, perhaps, was trying to force too much at times, and not reading the slow push of the current. Still, the gear carried well, the bites came with the river’s permission, and a man learns to respect the way water reshapes a plan.

On to St. Simons, where marsh grass waits and the water wears a different light.

Gear Used